The unmodified bassline plays through the left channel and the slightly delayed repetition through the right, creating a flickering, strobe-like effect. Each note of the bassline is doubled by a delay effect. He introduced variety by altering the key at regular intervals and layering Summer's vocals. Unusually for a disco track of the era, Moroder composed the backing track and bassline before the melody. "I Feel Love" was the first song to combine repetitive synthesizer loops with a continuous four-on-the-floor bass drum and an off-beat hi-hat, which would become a main feature of techno and house music ten years later. Problems playing this file? See media help. In contrast to the deeper chest voice of most disco vocals, Summer sang in head voice. Aside from the vocals, the kick drum is the only element of the song not played by a machine. As the Moog could not create a satisfactory kick drum sound, the kick was played on a drum kit by session drummer Keith Forsey. ![]() To create the hi-hat sound, the team took white noise generated by the Moog and processed it with an envelope. As the Moog went out of tune quickly, it had to be recorded in bursts of 20 or 30 seconds before being retuned. "I Feel Love" was recorded on a 16-track tape recorder, with the various parts played on a sequencer. Wedel's help with the technically complex synthesizer proved essential, and Moroder described him as the "unsung hero" of the project. Wedel demonstrated how to synchronize the elements using a click track, a feat Moroder described as "a revelation". Whereas most disco recordings had been backed by orchestras, the team produced "I Feel Love" with a modular Moog synthesizer borrowed from the classical composer Eberhard Schoener, aided by Schoener's assistant, Robby Wedel. For the final track, "I Feel Love", the team wanted to create a futuristic mood. įor Summer's fifth album, I Remember Yesterday (1977), the production team wanted each track to evoke a different musical decade, such as '40s swing, '60s girl groups, and '70s funk and disco. Moroder described her as "an incredibly talented singer, who could improvise but was also very disciplined". Summer had moved from the US to Munich to perform in the musical Hair, and had become a successful session vocalist. In 1970s Munich, Musicland Studios, led by the producers Giorgio Moroder and Pete Bellotte, had produced a number of disco hits, including Donna Summer's 1975 single " Love to Love You Baby". It has been covered by acts including Bronski Beat, Messiah and Sam Smith. In 2011, the Library of Congress added it to the National Recording Registry as "culturally, historically, or aesthetically important". The Financial Times credited it as "one of the most influential records ever made", laying the foundations for electronic dance music. ![]() "I Feel Love" became popular during the disco era, influencing acts such as David Bowie, Brian Eno, Kylie Minogue, the Human League and Blondie. "I Feel Love" reached number one in countries including Australia, Austria, Belgium, the Netherlands and the United Kingdom, and reached number three in West Germany and number six on the US Billboard Hot 100. Two months later, the sides were reversed and the single was reissued. ![]() "I Feel Love" was released just before the album on May 1, 1977, as the B-side to the single " Can't We Just Sit Down (And Talk It Over)", which reached number 20 on the US Billboard R&B chart. The album concept was to have each track evoke a different musical decade for "I Feel Love", the team aimed to create a futuristic mood, employing a Moog synthesizer. Produced and co-written by Giorgio Moroder and Pete Bellotte, it was recorded for Summer's fifth studio album, I Remember Yesterday (1977). " I Feel Love" is a song by American singer and songwriter Donna Summer. " Can't We Just Sit Down (And Talk It Over)"
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